Let this serve as an evocative symbol for you as you demolish your old ideas about paradise, freeing you up to conjure a fresh vision of your ideal realm."
Photo originally uploaded by Marirs
a collection of inspirations and reflections
"...You want to explore the meaning of life? You want to achieve Nirvana? Go attend some self-discovery seminar, or read some bestselling paperback on how to attain enlightenment in six easy steps. You want to explore the will of God? Be ready for some seemingly mundane stuff about wholesome, conscientious relating with your ox or donkey, with your laborer, your housekeeper, your children, your partner. That's what God wanted to talk about directly, and chose to do it in a direct open major revelation so as to draw your attention to what is really important, not what you surmise is important; to get the point across loud and clear that the theme of this life is Relationship: relationship with self, other, earth, and with the mystery from which all emanates."Following the energies of the Kabbalistic Tree of Life has brought us today to the Ground of the Ground, the day of the energy center called Malchut, in the week that also corresponds to Malchut. Rabbi Ted writes, "We are here, in this world of countless wonders. This is where we must realize the energies of the Tree. This is the space in which and for which we have responsibility."
"Every Shavu'ot I recall my encounter, with God at the Mountain of Sinai; with Miriam at the Tent of Meeting. Every Shavu'ot I feel myself ripen, so much so that I trust enough to release my desperate grip on the Tree of Knowledge, and allow myself to fall onto the earth."
"...There's a wise teaching that while the mind may know that all is one, the heart still experiences two. You and me; here and there; now and later — or before. And so the heart experiences a yearning which is sometimes sweet, oftentimes holy, and other times bitter and tinged with pain.A journey of only 50 days -- plenty long enough to be very challenging to my ability to sustain attention. Marking each step with a very brief ritual blessing was easy to remember almost every night; following along with the specific meditations was manageable for a few weeks out of the seven; making each day count, paying attention to how each moment is worth counting -- so much more challenging, so much more important.This yearning is also part of our reality. Our experience of separateness is part of our reality. And that which is present is not mere illusion: it is the Presence of the Divine, the shechinah, the tenth sefirah, also known as malchut, sovereignty...
...In Divine terms, malchut is the world that we experience, which is filled with the Shechinah, the Divine presence. Malchut is that aspect of the Divine which is totally immanent, absolutely here and now, closer to you even than your concept of "you."
Consequently, malchut is also that aspect of God which — as expressed poetically, and in ways that would horrify some rationalist philosophers — experiences what we experience. When we experience joy, malchut experiences joy; when we experience sadness, malchut experiences sadness. Most radically, when people are oppressed, enslaved, or even exterminated — this is malchut's experience as well."
"When an internationally acclaimed performance-art festival is in Seattle, it only makes sense to ask Seattle-area children what they think of it.
Emma Baron, 9, on "Luminous Edge," with juggler Thomas Arthur:
The most incredible thing I saw: The juggler. He was three characters and he was amazing. He made it look like the balls were coming out of nowhere. He made it look like he was twirling a piece of string. He was juggling and rolling balls through a tube and catching them while juggling. It was really amazing and it was really cool.
They asked us to be quiet but ... The one time it was really loud was when he was juggling glowing red balls. It was dark and the balls were glowing and showing in the dark. Everyone was like, "Whoa!"
Marni Lehman, 9, on "Luminous Edge," with juggler Thomas Arthur.
Where did all those balls come from? At the Children's Festival we saw Thomas the Juggler, and he was amazing! He made juggling look like the balls were coming out of nowhere. Thomas can juggle from under his legs to the top of his head. He can juggle very fast and makes it seem as if you see one ball but it is actually three.
Sound and visual effects: He tells a story as he goes on with the juggling. He makes a lot of noises that I can't make at all. He is three different people, characters such as a wizard. He has a screen that goes with what he is showing. The screen comes on right after or before a character. Thomas makes things on the screen look real. He will make his shadow go in the middle of the screen like walking through it. He makes special noises while he is juggling the balls. He also has a squiggly piece of metal that he moves hand-over-hand to make it look like it is coming up from the ground and never ends. He has a piece of wood that he can make look like a snake. He has rocks that he can make look like a snowman and has lots of stuff that he can make look real.
The show stopper: He can juggle in the dark with three glow-in-the-dark balls that are red. Thomas puts a ball in one way, and it comes out another. He makes one ball go all the way around in a circle. He makes three balls go around at the same time. He was juggling things behind his back and rolling them on his arm, and it was amazing!
photo of Saturn back lit by the sun, from the Cassini probe
photos above, Thomas and Ashley
The environmental movement seems to have the upper leg because the house is burning down. Literally. So it is very easy for the environmental movement to turn to the social justice movement and say, yes I know how important your issues are, but the house is burning down. You should come and join us on the environmental bus. I think that it is upside down and backwards. Global warming is injustice. It is a type of colonialism. If we are going to be effective over the short time we have, we have to slow down, stop, and change the bus. I think the environmental movement has to get on the social justice bus.Whatever we call that bus, I think the process artists have an important and useful role to play, perceiving and nourishing and connecting and integrating the deep patterns that are most restorative and regenerative and healthy for the human and more-than-human lifeworld.
...Yesod, [is] the seat of ego, the place of our lesser "i," the identity with which we interact with our world. This is the Foundation from which our energies will reach out to our world.Artwork above "Ain Ode" (c) Avraham Lowenthal, Tzfat Gallery of Mystical Art
Yesod brings this Foundation for expression into Netzach. From our physical sensations and perceptions comes our experience of the world. Netzach encourages our appreciation of that which is behind all specific forms of sensation; Yesod provides the avenue through which those energies will be able to act in the world.
Daily Focus:
My energies flow more freely now than every before. I honor the work I do in the world, and breathe new life into my being. I know the blessing of my lesser self that carries my energies out into the world for good. I am a center of energy expressing Life this day.
The curious relationship between time and beauty. . . How much nourishment of soul we lose when space and time are so deeply contracted around us.and Kara added:
The article brought up a memory of my own glorious street performing career. Mid-eighties in Seattle; I was without any money for a few weeks. Every day at lunch hour I'd go to an outdoor plaza at a downtown skyscraper. It was in front of a sweet little restaurant that had windows lining the courtyard where I would juggle for an hour. I remember it being really cold. I would wear fingerless gloves and just practice the hour away. I would make five or six bucks which I'd use for breakfast the next morning. After my fingers were frozen and my hour was up (and the lunchrush was over) someone from the restaurant would come out and invite me in where I would feast of the special of the day. The staff loved me. The folks on lunchbreak barely seemed to notice.
As an artist, I am so grateful that our perception of when we allot time for beauty made its way into a mainstream newspaper.I first saw this video of singing group Naturally7 (as well as the Joshua Bell article) at Patti Digh's 37Days, as part of her National Poetry Month Poemapalooza, and she got it from Sue Pelletier, (whose post includes another interesting video) and then a few days later I saw it again as the Video of the Week from KarmaTube. They accompanied it with these recommendations: "1) Experience your daily routine as if encountering it for the first time. What's new and different about today? 2) Send a note of gratitude to Naturally7, through the group's manager Birgit Kurth 3) Give way to joy."
There are people who seem to set a specific time for beauty, and assume that much money has to be spent for this appreciation to be valuable. I have had much luck selling humble prints in leisurely places where people are open to absorb as much beauty as they can, like on Hawaiian beaches (selling one print in the morning ensured my food for the day, so I could surf for the rest of it!;) or festivals.
"If you really want to hear with penetration and find its associated pleasures, you must imagine you are waking up over and over again -- waking on your feet, becoming aware 'in media res.' "(in the midst of things)Thomas, by the way, is performing someplace warmer now -- in a few weeks he is presenting the world premiere of Luminous Edge, a show commissioned by the Seattle International Childrens Festival, tickets here.
~ Stephen Kuusisto, Eavesdropping: A Memoir of Blindness and Listening